Unfortunately for him, that shoot turned out to be the catastrophic Hellraiser: Bloodline, a notoriously difficult production that was plagued with behind-the-scenes issues and creative spats. Yagher was already signed on to helm another feature, in order to get a little practice in. It was a dream come true, but there was just one problem. They agreed that Yagher would get to fulfil his ambition of directing, whilst Walker would continue to refine the script. Moreover, as you would expect from Walker (the guy who infamously put Gwyneth Paltrow’s head in a box), it’s got some smart twists along the way, rarely playing out in the way you’d expect.Īfter shopping the idea around to various studios, many of whom were skeptical of the unconventional take, the duo eventually managed to secure a deal with producer Scott Rudin. It’s a fun, pulpy read that cleverly mixes aspects of period drama with schlocky B-movie thrills.
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You can read the full thing online if you want. Without giving anything away, he soon finds himself ensnared in a dense conspiracy of feuding relatives, witchcraft accusations and lustful secrets.
To do this, he utilizes advanced scientific methods and forensic techniques, so that he can piece together the town’s sordid history. In their interpretation, protagonist Ichabod Crane was to be reimagined as a bumbling detective – as opposed to a school teacher – who is sent to the close-knit community of Sleepy Hollow to ascertain why the town elders are all having their heads ‘’lopped off’’. Together, the pair made a number of radical deviations from Irving’s source, completely overhauling elements of story, drastically changing the characters, and infusing the gothic atmosphere with lashings of gore. To help him flesh out the treatment, Yagher enlisted the help of Andrew Kevin Walker (a fellow Tales from the Crypt alumnus) who had recently finished his calling card screenplay, Se7en. Rather than just a spooky ghost-story, this version would be an unstoppable revenant, one who would enact ‘’a spectacular murder every five minutes’’. Enamored with the idea of taking this modest piece of folklore and using it as a springboard for creating his own slasher property, he began developing a spec script that updated the Headless Horseman so that he was more like an eighteenth-century version of Jason Voorhees. He probably had several pitches floating around, but the one that Yagher was really passionate about was an adaptation of Washington Irving’s The Legend of Sleepy Hollow.
Taking advantage on his newfound clout, and eager to progress his career, he began looking for projects that would allow him to flex his directorial muscles, whilst also capitalizing on his background in effects.
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Therefore, whilst Yagher may not have been a household name – or even particularly well known amongst movie buffs –he was certainly leaving his fingerprints all over the industry.
Not only that but Yagher had also announced himself as a promising filmmaker to boot, having directed a couple of Tales from the Crypt episodes. Boasting an impressive résumé- with make-up credits in films such as Child’s Play, Friday the 13 th : The Final Chapter and the early Nightmare on Elm Street sequels – he helped create some of the silver screen’s most enduring monsters. Back in 1993, special-effects guru Kevin Yagher was busy making a name for himself as one of horror’s most dependable technicians.
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